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Kommunal Simulator, 20x20 feet, inflatable vinyl, public art sculpture, Elsinore, Denmark, (2018)
20x20 feet, inflatable vinyl
The piece “Kommunal Simulator” was installed in the courtyard of community art center Toldkammeret in Elsinore, Denmark over the summer months 2018.
Adele König’s Computer Mafia, Offset print on satin cape, 31x80x30 inches @ Computer Mafia @ MoMA Downtown, New York (2019)
Sandy Salo’s Symbolic And Real Police, HD video, 32.34 minuttes @ Computer Mafia @ MoMA Downtown, New York (2019)
Dancers, oil on linen, 40x60 inches @ Computer Mafia @ MoMA Downtown, New York (2019)
Total Simulation, performance (Spoken word performance, LED lightbox, powered speakers, mixer, microphone, LED lightbox) @ Autonomics, Scandinavian Institute (2018)
Face Jagger, 33x34x23 inches, 3D printed facemasks, flightcase, LED lightstrip @ iwillmedievalfutureyou5, Aarhus Kunsthal, Aarhus (2016)
33x34x23 inches, 3D printed facemasks, flightcase, LED lightstrip
Face Jagger, an art piece manifested as a fake cyberweapon, was originally presented by the artist at a surveillance and security fair (ASIS 2014) in Anaheim, California among counterterrorism experts, businessmen and federal agencies.
More info about the 'pre-crime triptych' here:
ID Sniper, 70x50x20 inches, 3D printing, steel, aluminium, display box @ Populism, Frankfurter Kunstverein, Frankfurt (2005)
70x50x20 inches, 3D printing, steel, aluminium, display box
"ID Sniper" was originally presented as a real weapon at China's first international arms fair (China Police 2002) in Beijing among politicians, arms dealers and military officials from around the world.
More info about the 'pre-crime triptych' here:
Simulation Day Chaos (performance) @ Simulation Day Chaos, Hurrala, Los Angeles (2011)
Man From Utah Conducts Research At The Stasi Museum In Berlin (HD Video, 1 min) @ Psycho Futurism, Scandinavian Institute, New York (2014)
Map Car Man (HD Video 5 Min.) @ R/L Window, Ryan Lee Gallery (2014)
Singularity Musicians I & II, Manipulated digital image printed on photographic paper, each 10x10 inches @ Psychic Phones, Ada Gallery, Richmond (2016)
War Wizard (Video 5m.) @ Populism, Frankfurter Kunstverein, Frankfurt (2005)
The Wreck, Pastel on acid free paper, 18X25 inches @ Siggimund @ The National Gallery, Copenhagen (2009)
Shadow Intel, Inkjet print on acid free paper, 90x 35 inches @ Shadow Cabinet, Cuchifritos Gallery & Project Space, New York (2017)
Inkjet print on acid free paper, 90x 35 inches
In the show 11 artists and writers each were appointed a position in a "shadow cabinet". The show opened on the date of the Presidential inauguration 2017. The pieces ranged in scope from the conceptual to suggestions both sincere and satirical.
Participating artists:
STATE (Wolfgang Staehle), UNITED NATIONS (Joan Waltemath), DEFENSE (Peter Fend), NAVY (Marie Lorenz), TREASURY (Stan Cox), LABOR (Fred Lonidier), ENERGY, (Brian Holmes), MEDIA (Coleen Fitzgibbon), INTEL (Jakob S. Boeskov), INTERIOR (Alice Outwater) and EDUCATION (Franz Vila)
Search Machine 1 & 2, pastel on paper, each 60x40 Inches @ Weekend Futurology, Mulherin + Pollard, New York (2012)
To The Future Lords of The Net, pastel on acid free paper, 55x50 inches @ Fuck The Singularity, Muherin + Pollard, New York (2014)
Untitled, pastel on acid free paper, each 18 x25 Inches @ Textual Pleasures, Mary Ryan Gallery, New York (2012)
The Escape, performance (banner, rope ladder, roadside flares, artificial diamond etc) @ Tournament d'objet, Kunsthal Charlottenborg, Copenhagen (2013)
War Wizard, Video 5 min. @ Screening War, ZKM (Center for Art and Media) Karlsruhe (2006)
Inhaling History Performance, Balloons, air, suitcase, various props and costumes @ Coup de Théâtre, V1 Gallery, Copenhagen (2005)
For this performance names of historic figures were written on balloons. The balloons where then inflated and then inhaled by the artist and actors.
Megasuckers (performance) @ Virus, Copenhagen (2001)
Photographic print, 3x5 inches
Megasuckers was a performance which took place in front of Palace of The Parliament (i.e. "Ceaușescu's palace") in Sector 5 of Bucharest, Romania. The performance took place Feb. 12th 2001 at the corner of the building where the IBM corporation had rented office space. An American 1-dollar banknote was rolled outside a firework skyrocket which was then lit and fired towards the palace. The concept of the performance was to mark the end of a bipolar world and the beginning of a global capitalist hegemony based on information technology. There was no audience at the performance except the photographer. The performance and the journey to Romania to create the performance was documented in the Danish periodical 'Virus' (issue # 5, 2001).
Photograph by Mense Reents.
"Face Jagger", 33x34x23 inches, 3D printed facemasks, flightcase, LED lightstrip, @ iwillmediavalfutureforyou5, Kunsthal Aarhus, 2016
"Face Jagger" is an art piece which was originally presented by the artist at a security fair (ASIS 2015) in Anaheim California among surveillance experts, businessmen and federal agencies.
More info about this piece here: jakob-s-boeskov.com/pre-crime/